FRI, April 26th at 8 pm
Live at Red Clay Music Foundry
GA: $15 ADV/$20
A soulful vocalist and innovative multi-instrumentalist, award-winning singer/songwriter and producer Rachael Sage is one of the busiest touring artists in independent music, performing 100+ dates a year with her band The Sequins throughout the US, UK, & Europe. She has earned a loyal following for her dynamic piano playing, delicate guitar work, soulful vocals, and improvisational audience interaction. Sage has shared stages with Beth Hart, Howard Jones, A Great Big World, Judy Collins, Shawn Colvin, Marc Cohn, Jamie Cullum, The Animals and Ani DiFranco. Her latest full-length album on MPress Records, "Myopia" is a bold departure, with a much stronger emphasis on her guitar playing over her signature piano palette. In 2019 she is touring behind an acoustic version entitled "PseudoMyopia". For more information, visit rachaelsage.com.
Seventeen years ago Rod Picott dropped his tool belt, picked up an acoustic guitar and released his first album Tiger Tom Dixon’s Blues. The acclaimed debut put a nail in the coffin of his construction career and ignited his second career as a singer-songwriter. With his new album, Out Past The Wires, that second career reveals itself in full flame.
The sprawling twenty-two song Out Past The Wires ranges from whispery ballads to guitar driven rockers and hits every musical spot between. Like much of Picott’s catalog, many of the songs on Out Past The Wires center around the lives of working people and the losses, defeats and small victories that can come hard won in a calloused world. It is here in the ordinary where Picott finds the gold he mines so beautifully on songs such as “Take Home Pay” – one of four songs written with longtime friend and co-writer Slaid Cleaves.
“I'm on my way down to the pawnshop A couple hundred is all I need If I have to I’ll hit the blood bank I’m bone dry but I can always bleed”
When it comes to storytelling, Brock Zeman is a master craftsman. The Canada-based singer-songwriter has spent the past 12 years carving and chiseling Americana soundscapes, drawing from roots-rock and alternative country. But what separates Zeman from his contemporaries isn’t a willingness to speak truth – it’s his unwillingness to conform to the rules of Nashville and the traditional framework of genre. What gives Zeman’s stories force isn’t that he’s just singing a narrative – he’s living it.